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Backlits for Day and Night

 

In general, backlit images are meant to be viewed only when a light source is behind the image. Occasionally, however you may need to create a backlit image that can be viewed when face-lit with natural light in the daytime, and also at night when the image is illuminated from behind. The problem is that a print that looks good when backlit needs to be have a heavy ink load. It needs to be dark and dense to compensate for strong backlighting. But that same print will look terrible in a front-lit application. Here are some tips to get around the problem.

  • Print the graphic twice using non-backlit print density with a thin translucent white backing between the two print layers.
     
  • When the backlighting is off, only the top layer can be seen because the white inner layer blocks the second print.
     
  • When the box is lit, the light shines through all layers, giving it the added density that backlighting requires.
     
  • Use a good light table when mounting the three layers. Having an exact match of the two prints is crucial.
     
  • Be sure the light box lighting you choose offers a color signature that is acceptable to the client (both fluorescent and LED lighting systems present different sets of color casts).

The type of printer, inks and media being used also makes a radical difference in the appearance of the final print. Laser-based digital photo imagers have the most scope for adjustment. Prints from these machines tend to have the most brilliant backlit qualities. They can easily be adjusted to almost any density and color range, but are not perfect. The prints fade rapidly, are not water-resistant and can be expensive.

Dye-based aqueous inkjet inks look good and are inexpensive, but they tend to fade rapidly and are not waterproof. Pigment-based aqueous don’t fade, but also are not waterproof. Solvent inkjet inks are inexpensive, waterproof and much more fade resistant. Each type and brand of printing media and laminate will also give prints a unique color cast. Different applications will need different usage of each of these processes and media.

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(3) Comments

graphiquman's picture

We have a Roland VersaCam 5400 that does a nice job on back-lit applications. Of course you will never get perfect results both face and back-lit at once.
When the colors are critical to show both lit and non-lit, I turn to Todd Johnson at Miratec Systems in Minnesota. They offer a patented process that will print on both sides of most materials and their software digitally adjusts the second surface colors accordingly so you can achieve awesome results when viewed lit or non-lit. They even have a process working with 3M that they can do this with adhesive translucent vinyl, and their black can be opaque if you wish too, very important for contrast.
toddj@miratecsystems.com

Christopher Spencer
Consultant at
Signs by Crannie
Michigan & Florida

Bill Grambsch's picture

Duane, While I can appreciate the tip on day/night backlits there is a better way to do this using flatbed printers. There are 2 methods to do this.
Method 1- Print with white ink in between the two layers on clear film, plex or polycarbonate. 1st Print 1st or 2nd surface with the day light print then print white ink (translucent mode) and then print the daylight print (or 70%-80%) again. As long as the piece is on the flatbed registration is perfect.

Method 2 - This is done with a flatbed printer like the SwissQprint Impala that has a mirror registration feature. This feature provides a utility to print print the first side on translucent film or styrene and then the piece is turned over and printed again.

The key is registration and the Impala has a mirror origin feature that does this nicely. The origin on most printers is typically on the lower right corner of the bed. When media is flipped over for the 2nd print most printers still use the lower right machine origin and that makes for tricky registration. The Impala is different in that it keeps the origin with the media so when the media is flipped the origin is now on the lower left corner of the media (same corner as front print). This method produces exact front to back registration and beautiful day/night backlits. This can be useful not only for this but also for any double sided piece that will be routed.
Best regards,
Bill Grambsch
bgrambsch@polytypeamerica.com

Ragnarok1958's picture

Instead of using three layers, you can also just print the image in reverse on the back side of the translucent substrate if feasible. We use a variation of this technique for prints on clear vinyl for backlit sign faces. The normal print is applied on the front of the face, the reverse print is applied, superimposed, on the back side of the face. A coat of Frog Juice will extend the life of the prints.

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